Show at The Robinwood Concert House
2564 Robinwood ave. Toledo Ohio
Bran(...)pos is the solo experimental electronic music project of Jake Rodriguez. Given life in 1995, bran(...)pos focuses on real-time sonic plasticization and voice manipulation, achieving these ends with both hardware synthesizers and a custom set of software-based sound grapplers that interface with the real world via tactile control. bran(...)pos' recordings (heavy and heady like Cannibal Corpse doing Xenakis covers) and performances (rounded out with facial interpretations and physical gesture-butoh and Max Fleischer-inspired) are consistently praised for their inventiveness and attention to detail.
Robert Turman- A founding member (along with Boyd Rice) of NON, Turman's industrial bona-fides are beyond question. His early tape releases featured snarling guitar figures over primitive drumbox and throbbing synth -- a dream for fans of early Cabaret Voltaire and DAF. He planted his flag in the sand for keeps with the eleven year-spanning, eight-cassette boxset (!) Chapter Eleven (briefly reissued by Hanson a few years back, and slated for eventual CD treatment). Recently, Dais Records reissued an early Turman tape, Way Down, as an LP in an edition of 500 copies. Turman has seen a spike of activity in recent years, collaborating closely with Hanson Records' Aaron Dilloway (ex-Wolf Eyes) and issuing both new and archival material on various formats.
Jason Soliday is a stalwart member of the Chicago scene, having performed in many groups (Gunshop, Mora, with members of TVPOW, etc.) and on his own (under his own name and as Coeurl). He also runs the excellent show-space Enemy. Live, Soliday presents a dense and detailed sonic stew: heavy noise, but informed by his years of improvising, gigging, recording, building, and programming. Soliday does more than just find an engaging sound and stick with it- he constantly shifts, feints, and dodges, pulling the rug out from under you only to smother you in it later.
Startless is Blake Edwards (turntables, cassettes, shortwave, electronics) and Jason
Zeh (cassettes, tape, cassette players, contact mics); they utilize multiple layers of both processed and raw turntable (including hand altered records and turntable motor mechanics), shortwave, cassette, and cassette player motors to create a engaging balance of thick, complex, streams of sound with delicate, highly structured, singular audio gestures to create an engaging deep listening experience.